If you loved Underworld Beauty, try Take Aim at the Police Van
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Seijun Suzuki, and they both carry the paranoid mood tag, and they sit in Crime / Thriller territory. If that's the register that drew you to Underworld Beauty, the second film will land in a comparable space — through a different lens.
paranoid
What Take Aim at the Police Van is
Tokyo dusk. A cigarette butt. Two dead cons in transit; one livid, low-ranking driver left to explain how and why. He hunts the coolly methodical shooter, only to uncover a conspiracy that implicates his own superiors. Suzuki's lean, mean B-movie thrillers spit hot fire.
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