If you loved Underworld Beauty, try Take Aim at the Police Van
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Seijun Suzuki, and they both carry the paranoid mood tag, and they sit in Crime / Thriller territory. If that's the register that drew you to Underworld Beauty, the second film will land in a comparable space — through a different lens.
paranoid
What Take Aim at the Police Van is
Tokyo dusk. A cigarette butt. Two dead cons in transit; one livid, low-ranking driver left to explain how and why. He hunts the coolly methodical shooter, only to uncover a conspiracy that implicates his own superiors. Suzuki's lean, mean B-movie thrillers spit hot fire.
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