If you loved Underworld Beauty, try Take Aim at the Police Van
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Seijun Suzuki, and they both carry the paranoid mood tag, and they sit in Crime / Thriller territory. If that's the register that drew you to Underworld Beauty, the second film will land in a comparable space — through a different lens.
paranoid
What Take Aim at the Police Van is
Tokyo dusk. A cigarette butt. Two dead cons in transit; one livid, low-ranking driver left to explain how and why. He hunts the coolly methodical shooter, only to uncover a conspiracy that implicates his own superiors. Suzuki's lean, mean B-movie thrillers spit hot fire.
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