If you loved Tokyo 1958, try Antonio Gaudí

A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.

What they share

Both films are directed by Hiroshi Teshigahara, and they sit in Documentary territory. If that's the register that drew you to Tokyo 1958, the second film will land in a comparable space — through a different lens.

What Antonio Gaudí is

Eraserhead without Jack Nance. The camera explores the Catalan architect's organic structures, his buildings and parks. Teshigahara's lens captures the sensuality of Gaudí's work.

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