If you loved Tokyo 1958, try Antonio Gaudí
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Hiroshi Teshigahara, and they sit in Documentary territory. If that's the register that drew you to Tokyo 1958, the second film will land in a comparable space — through a different lens.
What Antonio Gaudí is
Eraserhead without Jack Nance. The camera explores the Catalan architect's organic structures, his buildings and parks. Teshigahara's lens captures the sensuality of Gaudí's work.
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