If you loved Tokyo 1958, try Antonio Gaudi
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Hiroshi Teshigahara, and they sit in Documentary territory. If that's the register that drew you to Tokyo 1958, the second film will land in a comparable space — through a different lens.
What Antonio Gaudi is
Eraserhead without Jack Nance. The camera explores the Catalan architect's organic structures, his buildings and parks. Teshigahara's lens captures the sensuality of Gaudí's work.
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