If you loved Tokyo 1958, try Antonio Gaudí
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Hiroshi Teshigahara, and they sit in Documentary territory. If that's the register that drew you to Tokyo 1958, the second film will land in a comparable space — through a different lens.
What Antonio Gaudí is
Eraserhead without Jack Nance. The camera explores the Catalan architect's organic structures, his buildings and parks. Teshigahara's lens captures the sensuality of Gaudí's work.
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