If you loved Dear Stranger, try Destruction Babies
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Tetsuya Mariko, and they sit in Drama territory. If that's the register that drew you to Dear Stranger, the second film will land in a comparable space — through a different lens.
What Destruction Babies is
Anywhere, Japan. Summer. Distant cicada song. Two young men wander city streets, one goading the other into random acts of escalating brutality. A search begins. Mariko's film dwells in the same blasted landscape as Miike's, only bleaker.

