If you loved Dear Stranger, try Destruction Babies
Un ponte tra un film che hai già visto e uno che quasi nessuno ha incrociato. Questo è ciò che condividono, e ciò che il secondo fa che il primo non fa.
Cosa condividono
Both films are directed by Tetsuya Mariko, and they sit in Drama territory. If that's the register that drew you to Dear Stranger, the second film will land in a comparable space — through a different lens.
What Destruction Babies is
Anywhere, Japan. Summer. Distant cicada song. Two young men wander city streets, one goading the other into random acts of escalating brutality. A search begins. Mariko's film dwells in the same blasted landscape as Miike's, only bleaker.
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