If you loved Dear Stranger, try Destruction Babies
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Tetsuya Mariko, and they sit in Drama territory. If that's the register that drew you to Dear Stranger, the second film will land in a comparable space — through a different lens.
What Destruction Babies is
Anywhere, Japan. Summer. Distant cicada song. Two young men wander city streets, one goading the other into random acts of escalating brutality. A search begins. Mariko's film dwells in the same blasted landscape as Miike's, only bleaker.
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