If you loved Dear Stranger, try Destruction Babies
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Tetsuya Mariko, and they sit in Drama territory. If that's the register that drew you to Dear Stranger, the second film will land in a comparable space — through a different lens.
What Destruction Babies is
Anywhere, Japan. Summer. Distant cicada song. Two young men wander city streets, one goading the other into random acts of escalating brutality. A search begins. Mariko's film dwells in the same blasted landscape as Miike's, only bleaker.
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