If you loved The Man Who Left His Will on Film, try 100 Years of Japanese Cinema

A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.

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The Man Who Left His Will on Film

1970 · dir. Nagisa Ōshima

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100 Years of Japanese Cinema

1995 · dir. Nagisa Ōshima

What they share

Both films are directed by Nagisa Ōshima, and they both carry the cerebral mood tag. If that's the register that drew you to The Man Who Left His Will on Film, the second film will land in a comparable space — through a different lens.

cerebral

What 100 Years of Japanese Cinema is

The New Wave meets the old guard in a chronological scrapbook of Japanese cinema. Ōshima compiles milestones and backstage feuds into a 100-year mixtape of reels and rivalries. A dry, iconoclastic valentine to the form from one of its fiercest arbiters.

If you loved The Man Who Left His Will on Film, try 100 Years of Japanese Cinema

The Man Who Left His Will on Film

100 Years of Japanese Cinema

What they share

What 100 Years of Japanese Cinema is

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