If you loved The Man Who Left His Will on Film, try 100 Jahre japanisches Kino
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
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100 Jahre japanisches Kino
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Both films are directed by Nagisa Ōshima, and they both carry the cerebral mood tag. If that's the register that drew you to The Man Who Left His Will on Film, the second film will land in a comparable space — through a different lens.
cerebral
What 100 Jahre japanisches Kino is
The New Wave meets the old guard in a chronological scrapbook of Japanese cinema. Ōshima compiles milestones and backstage feuds into a 100-year mixtape of reels and rivalries. A dry, iconoclastic valentine to the form from one of its fiercest arbiters.
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