If you loved The Man Who Left His Will on Film, try 100 años de cine japonés
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Nagisa Ōshima, and they both carry the cerebral mood tag. If that's the register that drew you to The Man Who Left His Will on Film, the second film will land in a comparable space — through a different lens.
cerebral
What 100 años de cine japonés is
The New Wave meets the old guard in a chronological scrapbook of Japanese cinema. Ōshima compiles milestones and backstage feuds into a 100-year mixtape of reels and rivalries. A dry, iconoclastic valentine to the form from one of its fiercest arbiters.
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