If you loved Symbiopsychotaxiplasm: Take One, try Hotel Monterey
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Theysit in Documentary territory. If that's the register that drew you to Symbiopsychotaxiplasm: Take One, the second film will land in a comparable space — through a different lens.
What Hotel Monterey is
Rear Window without Jimmy Stewart. The stationary camera observes a lower Manhattan flophouse, inside and out, top to bottom. Akerman's radical gaze captures the loneliness of transient lives.
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