If you loved Symbiopsychotaxiplasm: Take One, try Hotel Monterey
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Theysit in Documentary territory. If that's the register that drew you to Symbiopsychotaxiplasm: Take One, the second film will land in a comparable space — through a different lens.
What Hotel Monterey is
Rear Window without Jimmy Stewart. The stationary camera observes a lower Manhattan flophouse, inside and out, top to bottom. Akerman's radical gaze captures the loneliness of transient lives.
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