If you loved Osiris, try Daylight's End
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by William Kaufman, and they both carry the dread, raw mood tags, and they sit in Action / Horror / Science Fiction territory. If that's the register that drew you to Osiris, the second film will land in a comparable space — through a different lens.
What Daylight's End is
Dawn on a cracked highway, engine idling. A lone rider rolls past half-rotted road signs. Inside a boarded-up station, six strangers trade glances over a flickering map. He kills a beast with a tire iron, slams the door and mutters, We're leaving before sunset. The Year’s Best Grindhouse Nightmare, Sam Peckinpah meets George Romero on a shoestring budget.

