If you loved Osiris, try Daylight's End
Un ponte tra un film che hai già visto e uno che quasi nessuno ha incrociato. Questo è ciò che condividono, e ciò che il secondo fa che il primo non fa.
Cosa condividono
Both films are directed by William Kaufman, and they both carry the dread, neon soaked, raw mood tags, and they sit in Action / Horror / Science Fiction territory. If that's the register that drew you to Osiris, the second film will land in a comparable space — through a different lens.
What Daylight's End is
Dawn on a cracked highway, engine idling. A lone rider rolls past half-rotted road signs. Inside a boarded-up station, six strangers trade glances over a flickering map. He kills a beast with a tire iron, slams the door and mutters, We're leaving before sunset. The Year’s Best Grindhouse Nightmare, Sam Peckinpah meets George Romero on a shoestring budget.
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