If you loved Kazuo Umezu's Horror Theater: Present, try Dead ball
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Yudai Yamaguchi, and they both carry the pitch black, unhinged mood tags, and they sit in Horror territory. If that's the register that drew you to Kazuo Umezu's Horror Theater: Present, the second film will land in a comparable space — through a different lens.
pitch blackunhinged
What Dead ball is
Reformatory yard. Bleak sun. A baseball, blood-red. Jubeh Yakyu arrives, his past a legend of violence, his future forfeit. The Pterodactyl Juvenile Reformatory teems with brutal inmates and a Nazi-fetishist headmistress, all eager to break him. Yamaguchi’s splatterpunk farce is not for purists.
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