If you loved Kazuo Umezu's Horror Theater: Present, try Dead Ball
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Yudai Yamaguchi, and they both carry the pitch black, unhinged mood tags, and they sit in Horror territory. If that's the register that drew you to Kazuo Umezu's Horror Theater: Present, the second film will land in a comparable space — through a different lens.
pitch blackunhinged
What Dead Ball is
Reformatory yard. Bleak sun. A baseball, blood-red. Jubeh Yakyu arrives, his past a legend of violence, his future forfeit. The Pterodactyl Juvenile Reformatory teems with brutal inmates and a Nazi-fetishist headmistress, all eager to break him. Yamaguchi’s splatterpunk farce is not for purists.
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