If you loved Distant Voices, Still Lives, try Une longue journée qui s'achève
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Terence Davies, and they both carry the bittersweet, slow burn mood tags, and they sit in Drama territory. If that's the register that drew you to Distant Voices, Still Lives, the second film will land in a comparable space — through a different lens.
bittersweetslow burn
What Une longue journée qui s'achève is
Terry Gilliam’s memory plays Ken Loach in a Liverpool of 1959. A shuttered boy haunts matinees until the flickering gods become his elders, schoolyard fists his daily bruise. That 4:3 Technicolor glow keeps the roof from collapsing.

