If you loved Distant Voices, Still Lives, try The Long Day Closes
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Terence Davies, and they both carry the bittersweet, slow burn mood tags, and they sit in Drama territory. If that's the register that drew you to Distant Voices, Still Lives, the second film will land in a comparable space — through a different lens.
bittersweetslow burn
What The Long Day Closes is
Terry Gilliam’s memory plays Ken Loach in a Liverpool of 1959. A shuttered boy haunts matinees until the flickering gods become his elders, schoolyard fists his daily bruise. That 4:3 Technicolor glow keeps the roof from collapsing.
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