If you loved Héroes al rescate, try Perfect Blue
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Satoshi Kon, and they both carry the foreign gem mood tag, and they sit in Animation territory. If that's the register that drew you to Héroes al rescate, the second film will land in a comparable space — through a different lens.
foreign gem
What Perfect Blue is
Tokyo, neon lights reflecting off wet pavement, a distant siren. A pop star's final performance, a TV studio's sterile glow, and the blurred lines of a fragmented identity. Kon's debut feature is a psychological plunge.
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