If you loved Tokyo Godfathers, try Perfect Blue
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Both films are directed by Satoshi Kon, and they both carry the foreign gem mood tag, and they sit in Animation territory. If that's the register that drew you to Tokyo Godfathers, the second film will land in a comparable space — through a different lens.
foreign gem
What Perfect Blue is
Tokyo, neon lights reflecting off wet pavement, a distant siren. A pop star's final performance, a TV studio's sterile glow, and the blurred lines of a fragmented identity. Kon's debut feature is a psychological plunge.
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