If you loved We Own the Night, try King of New York
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Theyboth carry the neon soaked, raw mood tags, and they sit in Crime / Thriller territory. If that's the register that drew you to We Own the Night, the second film will land in a comparable space — through a different lens.
neon soakedraw
What King of New York is
Manhattan, winter. A lone taxi whistle. Frank White emerges from Sing Sing, reborn. Ruthless ambition fuels his ascent to reclaim the narcotics trade, his crusade bankrolling the city's forgotten. Ferrara’s neo-noir is a nihilistic power ballad.
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