If you loved Toda una noche, try Hotel Monterey
Un puente entre una película que ya has visto y una que casi nadie ha cruzado. Esto es lo que comparten, y lo que la segunda hace que la primera no hace.
Lo que comparten
Both films are directed by Chantal Akerman, and they both carry the slow burn mood tag. If that's the register that drew you to Toda una noche, the second film will land in a comparable space — through a different lens.
slow burn
What Hotel Monterey is
Rear Window without Jimmy Stewart. The stationary camera observes a lower Manhattan flophouse, inside and out, top to bottom. Akerman's radical gaze captures the loneliness of transient lives.
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