If you loved Toute une nuit, try Hotel Monterey
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Chantal Akerman, and they both carry the outsider, slow burn mood tags. If that's the register that drew you to Toute une nuit, the second film will land in a comparable space — through a different lens.
outsiderslow burn
What Hotel Monterey is
Rear Window without Jimmy Stewart. The stationary camera observes a lower Manhattan flophouse, inside and out, top to bottom. Akerman's radical gaze captures the loneliness of transient lives.
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