If you loved The Saragossa Manuscript, try Meshes of the Afternoon

A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.

You already loved

Meshes of the Afternoon

1943 · dir. Maya Deren, Alexander Hammid

What they share

Theyboth carry the surreal mood tag, and they sit in Fantasy / Mystery territory. If that's the register that drew you to The Saragossa Manuscript, the second film will land in a comparable space — through a different lens.

surreal

What Meshes of the Afternoon is

Los Angeles. Midday. A key. A woman dreams herself haunted through her own house, stalked by a mirrored, cloaked figure. Flowers, knives, and phones become harbingers of doom. Deren's avant-garde landmark still provokes uncanny dread.

If you loved The Saragossa Manuscript, try Meshes of the Afternoon

The Saragossa Manuscript

Meshes of the Afternoon

What they share

What Meshes of the Afternoon is

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