If you loved The Banishing, try Consecration
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Christopher Smith, and they both carry the dread mood tag, and they sit in Horror territory. If that's the register that drew you to The Banishing, the second film will land in a comparable space — through a different lens.
dread
What Consecration is
High summer on Cailleach Moor. A black hearse idles at a moss-choked convent gate. Grace steps over her brother’s rosary, scattered where he allegedly jumped. The sisters’ smiles are too wide, the stained glass too dark. Smith conjures Folk Horror with the sigh of a guilty conscience.
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