If you loved The 4th Man, try Benedetta
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Paul Verhoeven, and they both carry the dread, surreal mood tags. If that's the register that drew you to The 4th Man, the second film will land in a comparable space — through a different lens.
dreadsurreal
What Benedetta is
17th-century Italian convent, a crucifix hangs, chanting echoes. A novice arrives, a nun's devotion wavers, visions begin. Verhoeven's period drama is characteristically unflinching.

