If you loved Sing a Song of Sex, try The Man Who Left His Will on Film
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Nagisa Ōshima, and they both carry the outsider mood tag, and they sit in Drama territory. If that's the register that drew you to Sing a Song of Sex, the second film will land in a comparable space — through a different lens.
outsider
What The Man Who Left His Will on Film is
Tokyo streets at dusk a camera falls a man chases a thief a product of 70s Japanese New Wave.
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