If you loved Sin Nombre, try Él
A bridge between a film you've already seen and one most people haven't. Él has roughly 4.8× fewer votes than Sin Nombre — it's a deeper cut, not a mainstream recommendation. Here's what they share, and what the second one does that the first one doesn't.
What they share
Theysit in Drama / Thriller territory. If that's the register that drew you to Sin Nombre, the second film will land in a comparable space — through a different lens.
What Él is
A church, midday. Perfume. Francisco's eyes lock, possess. Marriage follows, then suspicion, festering in plain sight. Delusion curdles into baroque control. One of Buñuel's darkest, most perverse bourgeois portraits.

