If you loved Rohan at the Louvre, try Ichiko
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Theyboth carry the foreign gem, outsider mood tags, and they sit in Drama / Mystery territory. If that's the register that drew you to Rohan at the Louvre, the second film will land in a comparable space — through a different lens.
foreign gemoutsider
What Ichiko is
Rainy Tokyo streets August 13, sirens blaring, a lone suitcase. A proposed marriage, a sudden disappearance. Akihiro Toda's subtle direction unfolds the mystery.

