If you loved Red Peony Gambler: Oryu's Return, try Miyamoto Musashi
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Tai Katō, and they both carry the outsider mood tag, and they sit in Action / Drama territory. If that's the register that drew you to Red Peony Gambler: Oryu's Return, the second film will land in a comparable space — through a different lens.
outsider
What Miyamoto Musashi is
You train under a master only to watch your school crumble when war shifts sides. Then you wander alone for years refining the blade you’ll wield against Kojiro. Miyamoto Musashi’s path looks like many period films yet sidesteps familiar tropes by folding stillness into each strike.
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