If you loved Rampo Noir, try Tokyo: The Last Megalopolis
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Akio Jissoji, and they both carry the neon soaked, surreal mood tags, and they sit in Fantasy / Horror / Thriller territory. If that's the register that drew you to Rampo Noir, the second film will land in a comparable space — through a different lens.
neon soakedsurreal
What Tokyo: The Last Megalopolis is
Rainy Tokyo streets at dusk a lone streetlamp flickers Ancient evil resurrected in concrete canyons A product of 80s Japanese fantasy horror.
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