If you loved Obsession, try Senso
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Luchino Visconti, and they both carry the foreign gem, paranoid mood tags, and they sit in Drama / Romance territory. If that's the register that drew you to Obsession, the second film will land in a comparable space — through a different lens.
foreign gemparanoid
What Senso is
A Venetian countess melts into a Götterdämmerung of rouge and ruin over a dashing imperial officer. Her patriotism curdles into lipstick-stained passion until the redcoats march in. The film’s operatic palette can’t decide if it’s mourning or masquerading.

