If you loved Neon Genesis Evangelion: Death and Rebirth, try Neon Genesis Evangelion: The End of Evangelion
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
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Neon Genesis Evangelion: Death and Rebirth
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Neon Genesis Evangelion: The End of Evangelion
What they share
Both films are directed by Hideaki Anno, Kazuya Tsurumaki, and they both carry the dread, foreign gem, mindfuck mood tags, and they sit in Animation / Drama / Science Fiction territory. If that's the register that drew you to Neon Genesis Evangelion: Death and Rebirth, the second film will land in a comparable space — through a different lens.
dreadforeign gemmindfuck
What Neon Genesis Evangelion: The End of Evangelion is
Tokyo-3, autumn rain, a lone Eva screams. A teenage pilot breaks, a father's plan unfolds, a committee's betrayal sets the stage. This sequel is as unflinching as its protagonist.
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