If you loved Last Winter, We Parted, try Ikigami: The Ultimate Limit
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Tomoyuki Takimoto, and they both carry the paranoid mood tag. If that's the register that drew you to Last Winter, We Parted, the second film will land in a comparable space — through a different lens.
paranoid
What Ikigami: The Ultimate Limit is
Equilibrium meets 1984. A young man delivers death messages. Japanese societal commentary is delivered.
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