If you loved Impulse, try The Final Conflict
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Graham Baker, and they both carry the dread mood tag, and they sit in Horror / Mystery / Thriller territory. If that's the register that drew you to Impulse, the second film will land in a comparable space — through a different lens.
What The Final Conflict is
Jersey moors in a misty November, the heather sodden underfoot, a gilded crosier juts from a bog pool like a forgotten relic. Ambassadorial limousines idle on Westminster’s cobblestones while the ambassador counts his staff like sheep, unaware the crosier’s cursed metal hums just below radar. Baker’s Thatcher-era chiller rams prophecy down corporate throat with a silver-tongued smile and a doomsday shrug.
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