If you loved Hokusai, try Antonio Gaudí
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Both films are directed by Hiroshi Teshigahara, and they both carry the cerebral mood tag, and they sit in Documentary territory. If that's the register that drew you to Hokusai, the second film will land in a comparable space — through a different lens.
cerebral
What Antonio Gaudí is
Eraserhead without Jack Nance. The camera explores the Catalan architect's organic structures, his buildings and parks. Teshigahara's lens captures the sensuality of Gaudí's work.
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