If you loved Henry: Portrait of a Serial Killer, try Dahmer
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Theysit in Crime / Drama / Horror / Thriller territory. If that's the register that drew you to Henry: Portrait of a Serial Killer, the second film will land in a comparable space — through a different lens.
What Dahmer is
February 1991. A Polaroid flashbulb pops in a shuttered apartment. The landlord hears banging but finds only silence and a fresh hole in the wall. Inside a man’s bare hands rearrange bones like forgotten toys while outside, neighbors ignore the smell. A director from the early 2000s drapes neon over the dark like a cheap motel blanket.
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