If you loved Henry: Portrait of a Serial Killer, try Dahmer
Eine Brücke zwischen einem Film, den du schon gesehen hast, und einem, den kaum jemand kennt. Das teilen sie, und was der zweite macht, was der erste nicht macht.
Was sie teilen
Theyboth carry the dread, raw mood tags, and they sit in Crime / Drama / Horror / Thriller territory. If that's the register that drew you to Henry: Portrait of a Serial Killer, the second film will land in a comparable space — through a different lens.
What Dahmer is
February 1991. A Polaroid flashbulb pops in a shuttered apartment. The landlord hears banging but finds only silence and a fresh hole in the wall. Inside a man’s bare hands rearrange bones like forgotten toys while outside, neighbors ignore the smell. A director from the early 2000s drapes neon over the dark like a cheap motel blanket.
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