If you loved Creative Control, try The Man Who Killed Hitler and Then the Bigfoot
A bridge between a film you've already seen and one most people haven't. Here's what they share, and what the second one does that the first one doesn't.
What they share
Theyboth carry the outsider mood tag, and they sit in Drama / Science Fiction territory. If that's the register that drew you to Creative Control, the second film will land in a comparable space — through a different lens.
outsider
What The Man Who Killed Hitler and Then the Bigfoot is
You live a quiet life in the woods after your service in WWII. But the government calls you back to duty when a deadly virus spreads. It seems the legendary Bigfoot is real and is ground zero. Krzykowski's debut feature is a quiet character study with bursts of monster action.
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