If you loved The Last Dance, try A Taxing Woman's Return
Un ponte tra un film che hai già visto e uno che quasi nessuno ha incrociato. Questo è ciò che condividono, e ciò che il secondo fa che il primo non fa.
Cosa condividono
Both films are directed by Jūzō Itami, and they both carry the cerebral mood tag, and they sit in Comedy / Drama territory. If that's the register that drew you to The Last Dance, the second film will land in a comparable space — through a different lens.
cerebral
What A Taxing Woman's Return is
Shinjuku at dusk—coffee steams over tax ledgers open on a corner desk. Ryōko Itakura tracks laundered yen into a cult’s temple gardens; gold beneath the soil, hymns over ledgers. Like The Trial meets It’s a Mad, Mad, Mad World under neon suns.

