If you loved Tommy, try Au-delà du réel
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Ken Russell, and they both carry the surreal mood tag. If that's the register that drew you to Tommy, the second film will land in a comparable space — through a different lens.
surreal
What Au-delà du réel is
A basement in Cambridge, 1968, the hum of a fMRI’s cooling fan. A neuroscientist fills a black tank with saline, drops in psilocybin tea, sinks himself deeper each night until the tank forgets which way is up. Mirrors hung in the tank show faces not his. Russell’s fevered splice of Freudian horror and cosmic paranoia: one headlong plunge through the membrane of sanity.
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