If you loved Mamma Roma, try L'Évangile selon saint Matthieu
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Pier Paolo Pasolini, and they both carry the foreign gem, slow burn, tender mood tags, and they sit in Drama territory. If that's the register that drew you to Mamma Roma, the second film will land in a comparable space — through a different lens.
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What L'Évangile selon saint Matthieu is
Bresson meets Italian neorealism. A stark, sun-blasted Jesus gathers disciples with blunt parables that unsettle the authorities. Shot in black and white with non-actors, it hums like a folk hymn.
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