If you loved Mort à Smoochy, try Balance maman hors du train
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Danny DeVito, and they both carry the pitch black mood tag, and they sit in Comedy / Crime / Thriller territory. If that's the register that drew you to Mort à Smoochy, the second film will land in a comparable space — through a different lens.
pitch black
What Balance maman hors du train is
L.A. Autumn. A typewriter's taunt. A writing instructor drowning in a failed marriage, a student stewing in mother-hate, and a dark deal proposed Hitchcock-style. DeVito’s comic crime owes a debt to both Hitchcock and Wilder.

