If you loved Dommages collatéraux, try Nico
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Andrew Davis, and they both carry the late night mood tag, and they sit in Action / Drama / Thriller territory. If that's the register that drew you to Dommages collatéraux, the second film will land in a comparable space — through a different lens.
What Nico is
Late-night expressway, windshield wipers slicing at sleet. A black Firebird idles under a flickering sodium lamp, chrome reflecting the rain like shattered glass. A stocky unmarked Chevy pursues, then shoves the Firebird toward a guardrail. Nico Toscani exits the car, aikido stance in a rumpled suit, holster gleaming—one hand cuffs a thug, the other smashes a car antenna into his own badge before tossing it into the river. A director sandwiched between Dirty Harry and Rolling Thunder revives the vigilante cop’s myth in one-liners and concrete overcoat justice.
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