If you loved Black Maiden: Chapter Q, try TOKYO SLAVES
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Sakichi Sato, and they sit in Horror territory. If that's the register that drew you to Black Maiden: Chapter Q, the second film will land in a comparable space — through a different lens.
What TOKYO SLAVES is
An alley in Shinjuku, 3 AM, neon bleeds on a phone screen flashing SCM. A brother smuggles the stranger home; his sister dials it at breakfast. Sakichi Sato’s disposable tech-mare grips like early Cronenberg.
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