If you loved Le Goût du saké, try Bonjour
Un pont entre un film que tu as déjà vu et un que peu de gens ont croisé. Voici ce qu'ils partagent, et ce que le second fait que le premier ne fait pas.
Ce qu'ils partagent
Both films are directed by Yasujirō Ozu, and they sit in Drama territory. If that's the register that drew you to Le Goût du saké, the second film will land in a comparable space — through a different lens.
What Bonjour is
Ozu’s Tokyo suburbs swap zen discipline for domestic mutiny when two boys stage a vow-of-silence strike over missing television. A family comedy unfolds as parents misread protest for petulance while neighbors judge laundry upgrades like stock tips. The film’s polite satire suggests consumerism breeds comically stifled households.
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